A TV critic on watching Beyoncé’s Coachella performance at home

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April 17, 2018 2:06 am Published by

Like a Superbowl halftime show, or an Olympics opening ceremony, the performance was staged both for the crowd on the field and the crowd watching remotely. And if not every angle, move and cut was arranged beforehand, the key moments had clearly been mapped for maximum effect. (By her own people, I would assume, and not Coachella’s.) Nothing else I’ve seen streaming from the festival has had, visually, the same level of organization, intention or sensitivity — indeed few concert films are up to the level this achieved, seemingly on the fly .

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